Théo Mercier. La possession du monde n'est pas ma priorité. Gaule leading us straight to the

leading us straight to the irony of happy moments destined to disappear

made mainly from gasoline cans

but they didn't really leave

ceux de Nabu

Discovering Marrakech in 1917

Théo Mercier. La possession du monde n'est pas ma priorité. Gaule leading us straight to theTho Mercier's studio and ditions Dilecta are working together on the artist's monograph project to compile an inventory of his prolific output, which is particularly interesting in that the artist brings to the French contemporary art scene a field of specific interventions that opens the boundaries of the visual arts properly speaking. Coming from engineering studies (and not from the classic Fine Arts course), the artist allows himself everything in