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he chose painting as a third medium in the whirlwind of the Roaring Twenties
from its origins to the beginning of the 4th century
Collection «Bibliothèque Hazan«
but also as a regulator of human relations
119 Stéphanie ANTHONIOZ: Mirror of a transmission of the Akkadian Gilgameš in the periphery (first part) - p
Moïse l'Egyptien. Un essai d'histoire de la mémoire. Gréco-romain he chose painting as a
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