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on the Theban west bank
by playing with all the commonplaces and all the prohibitions to reveal the thousand and one surprises of amorous desire and to harass with the arrows of Cupid the staid and hypocritical society that surrounds it
opens a new chapter in our understanding of Baroque art
Perfect interior condition despite some traces of foxing and humidity (see photograph)
volume 5: 455+432p
Les terres cuites gréco-romaines du musée égyptien de l’agriculture. BiGen 42. Préhistoire on the Theban west bankThe collections of the Egyptian Museum of Agriculture (Cairo) include 107 terracottas dating from the Greco Roman period. When they entered the museum between 1932 and 1935, the statuettes were selected around four main themes, in order to illustrate a part of the collections consisting of animal and plant remains: protective deities, animal representations, plant representations and baskets. These figurines, mostly molded, are generally referred to
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