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at the Milvian Bridge
Eugène: The recluses of the Serapeum
) will be addressed
la musique
Reprinted from “The Journal of Egyptian Archaeology”
Face à Face. L'autoportrait de Cézanne à Bonnard. Self-portrait : Cézanne to Bonnard. Grande Grèce at the Milvian BridgeThe problem of the self portrait is indeed the most mysterious and inaccessible in the history of painting. In the 20th century century, the self portrait is no longer just the affirmation of a function but the seat of a deeper reflection, a way of questioning one's double, in a constant search for inner truth, while revealing to the eyes of others an invisible part of oneself. This search for self awareness is transformed into a fiction through each