Londres. 1959. Proche et Moyen Orient very different depending on the

very different depending on the perspective from which one looks

ont offert à Montmartre sa réputation universelle

et Phidias le sculpteur qui supervisa la construction du Parthénon

Keisai's unique style was noted from the end of the 19th century by artists such as Rodin and the engraver Isaac

The different artistic movements are described in the first chapter

Londres. 1959. Proche et Moyen Orient very different depending on theLondon brings together around 80 black and white images from the time of the most famous Chilean photographer in England, almost half of which have never been published. A text by Roberto Bolano, written especially for these images in 1999, enriches this corpus. It was in 1965, seven years after a four month stay in London, that he wrote in a brief introduction to his book El rectangulo en la mano: "It is deep within me that I seek photographs, when,